Cultural
Tourism
Our Cultural Tourism segment invites you to experience the living culture of the Lisu community firsthand. Learn about significant cultural heritage sites and embark on virtual tours that showcase the breathtaking landscapes and architectural marvels unique to Nujiang. Gain insights into Lisu cultural experiences, eco-tourism routes, local cuisine, and practical travel tips. Whether you plan a visit or wish to explore remotely, this section provides comprehensive guides, inspiring travel stories, and connections to authentic cultural encounters.
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Cultural
Heritage Sites
Eco-Tourism
Routes
Local
Cuisine
Custumes
and Crafts
Travel Info
and Guide
Costumes and Crafts
Lisu Ethnic Clothing
Lisu clothing varies by region. In northern Gongshan and Fugong, Lisu women wear the Oule Cap, a headpiece adorned with shells, beads, small sea snail discs, and brass buttons. They pair this with a fitted, right-buttoned blouse in light blue, green, or white, layered over a deep-colored jacket in blue, red, or black, creating a striking contrast. Around their necks, they wear elaborate strings of beads called "Labenlidi", made from shells, beads, silver coins, sea snail discs, and agate.
In Lanping, southern Fugong, and Lushui, Lisu women opt for a simpler style: a right-buttoned blouse, long pants, and a waist apron, with a black or dark blue headscarf, exuding understated elegance.
Lisu men’s attire is more uniform, typically featuring a black or blue headscarf. They wear a close-fitting hemp shirt under a long, open-front hemp robe, tied at the waist with a woven belt sometimes decorated with shells or beads. Their wide hemp trousers reach just below the knees, completing the traditional look.

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Traditional Attire of the Lemo People
The clothing of the Lemo people, both men and women, is relatively simple yet distinctive. Men typically wear a large turban adorned with seashells, with tassels hanging on the right side. Their long robes, called "Daoen," are made from finely woven white hemp fabric. These robes feature round collars and hems embroidered with colorful patterns, and black cloth is sewn around the cuffs. Two strips of black cloth are also stitched along the spine, extending from the waist to the shoulder blades. (In regions like Ega and Baodeng, the turban and back strips are omitted, and only the cuffs are adorned with black or striped cloth.) At first glance, the attire may resemble that of Lisu men, but key differences exist.
Lisu men’s robes lack embroidered patterns on the collars and hems, and instead of large black strips on the back, they have a small piece of black cloth sewn under the armpit, symbolizing a hiding place for the soul. These subtle variations highlight the unique cultural identity of the Lemo people.


Cultural Heritage Sites

Ancient Cave Paintings 古代岩画
Cave paintings are a form of prehistoric culture, created by early humans using stone tools to depict and record their ways of life and production. These primitive, natural artworks represent some of the earliest cultural expressions of human society and serve as invaluable heritage left by our ancestors.
In the 1980s, the first cave paintings were discovered in the Nujiang region. These paintings can be categorized into three styles: the Wufu Cave paintings, the Lasidi paintings, and the Gudeng paintings. They primarily feature images of animals, tools, and human figures, found in caves and on cliffs near riverbanks where early human activities took place.
Among them, the Lasidi cave paintings, created later than the Wufu Cave paintings, reflect a more advanced style. Composed of over 300 symbols and characters, they document natural phenomena, daily life, social interactions, and technological innovations of the time. Notably, the dense circles in the Lasidi cave paintings, representing "sky spirits" (stars) in Nu legends, record various astronomical phenomena observed by ancient people.
These cave paintings offer a fascinating glimpse into the early cultural and intellectual achievements of the region's inhabitants.

Church 教堂
Over a century ago, waves of Western missionaries traversed the snow-capped Biluo Snow Mountain to bring the Gospel to the Nujiang Grand Canyon. Since then, a multitude of magnificent Western-style religious structures have emerged across Nujiang. Churches such as Laomudeng, Chongding, and Baihanluo stand as exquisite architectural masterpieces, their stories of history and emotion illuminated by the sun. The image of God and His message have become deeply rooted in the souls of the Nujiang people. Each evening, as the gentle southern breeze sweeps through the canyon, the churches resonate with pure, sacred hymns—devout praises and tributes from the spiritual hearts of the community. These churches not only serve as places of worship but also as enduring symbols of faith and cultural exchange in this remote and majestic region.

Puhua Temple 普华寺
It is located in Jiasheng Village, Bingzhongluo Township, Gongshan County, was originally established in 1825 during the Qing Dynasty. Its predecessor, the Changputong Feilai Temple, was built in 1766 and later became one of the thirteen major Tibetan Buddhist monasteries under the jurisdiction of Lijiang Prefecture. The original Puhua Temple covered an area of over 3,000 square meters, featuring a west-facing layout that followed the terrain's natural slope. Its structure, a blend of earthen walls, wooden frames, and stone-tile roofing, was arranged in a T-shaped plan, creating a rich sense of layering. The current temple complex includes a main hall, living quarters for the living Buddha, monk dormitories, and storage rooms. The main hall houses murals depicting Buddhist stories and figures, while the doors and windows are adorned with intricate Tibetan-style carvings. As the only lamasery in Nujiang Prefecture, Puhua Temple stands out for its grandeur and unique architectural style. It is now a protected cultural heritage site of Nujiang Prefecture.

ZhiZiluo City of Memory 记忆之城 知子罗
Zhiziluo,located in the Pihe Nu Ethnic Township of Fugong County, Nujiang Lisu Autonomous Prefecture, sits at an elevation of 2,023 meters on the Biluo Snow Mountain. Once a vital post on the ancient Tea-Horse Road, it connected Lanping, Fugong, Gongshan, and Lushui. Beginning in 1912, it served as a colonial administrative center and later a governance bureau. After liberation, it became a core city in the Nujiang region and a crucial hub for exchanges between Nujiang and inland China.
However, its prominence declined with the construction of modern roads. In 1973, the prefectural capital moved to Liuku Town, and in 1986, due to landslide risks, Bijiang County was dissolved, leading to the partial demolition of the town. Today, it is home to over 800 farmers and retirees. Zhiziluo retains its layout and architectural style from the 1970s and 1980s, with octagonal towers and white-walled brick buildings evoking memories of the past. Time seems to stand still here, earning it the name "City of Memory," a place where history is preserved, encapsulating a bygone era of glory.


Eco-Tourism Routes

Qilian Lakes 七莲湖
Located on the Biluo Snow Mountain in Pianma Township, Fugong County, Nujiang Lisu Autonomous Prefecture, Yunnan Province, the Qilian Lakes sit at an altitude of approximately 3,800 meters. This area is home to the largest group of alpine glacial lakes on Biluo Snow Mountain, consisting of seven small lakes arranged in a stunning pattern resembling seven lotus flowers blooming on the snowy peaks, hence the name "Qilian" (Seven Lotuses).
The lakes are fed by melting snow and ice, their crystal-clear waters reflecting the surrounding landscape like a mirror. Encircled by snow-capped mountains, dense forests, meadows, and vibrant flower fields, the Qilian Lakes are particularly breathtaking in spring and summer when a variety of flowers, including rhododendrons, bloom in abundance, creating a picturesque contrast with the emerald-green waters. The weather here is ever-changing, adding an ethereal, almost mystical quality to the scenery.
In the culture of the local Nu ethnic group, the Qilian Lakes are considered sacred, believed to be the place where fairies descended to bathe. The lakes hold deep spiritual significance as a pilgrimage site, symbolizing the Nu people's aspirations for a beautiful and harmonious life. This blend of natural splendor and cultural reverence makes the Qilian Lakes a truly enchanting destination.
